Tuesday, December 5, 2023

Once Upon a Thief!







Synopsis of "Once Upon a Thief"

"Once Upon a Thief," a pulse-pounding thriller set to detonate on shelves this December 2023. Seasoned thief Aditya and unsuspecting accomplice Ria are thrust into a whirlwind of danger as they become pawns in a high-stakes heist orchestrated by the elusive Panchali.

The narrative hurtles forward against the steamy backdrop of Guwahati's urban sprawl and the rhythmic beats of Shillong's music scene. But this isn't your average crime tale. Social issues like water body preservation and sewage problems seamlessly intertwine, intensifying the urgency of the unfolding drama.

Hot on their trail are the relentless police force and Ria's determined father. In a treacherous landscape where allies morph into adversaries, Panchali, the enigmatic puppeteer, shrouds trust and loyalty in a dark veil, transforming their quest into a complex dance of deceit.

As Aditya races against time to save Ria from imminent danger and unravel Panchali's motives, Debojit, the unyielding police officer, peels back layers of criminal intrigue, threatening to expose secrets that could crumble the city's criminal empire.

"Once Upon a Thief" guarantees a plot that twists and turns with the breakneck pace of a Hollywood blockbuster. Can Aditya and Ria outsmart their relentless pursuers? Will Panchali's machinations lead to triumph or doom? And can Debojit untangle the sinister web of crime ensnaring the city?

Get ready for a riveting spectacle of suspense, action, and moral dilemmas. Order your presale copy now and immerse yourself in a world where every step is a gamble, and every revelation raises the stakes. Don't miss the chance to add this electrifying thriller to your reading list – a rollercoaster of suspense where morality collides with deception, leaving you breathless and craving more. Secure your copy and brace yourself for the adrenaline-fueled excitement of "Once Upon a Thief."

Imaginations Personified: Once Upon a Thief - Final Cover

Imaginations Personified: Once Upon a Thief - Final Cover: 🎉 **Exciting Update: Final Cover Unveiled!** We're thrilled to announce the release of the final cover for "Once Upon a Thief&qu...

Saturday, February 14, 2009

The Treacherous Genie



Done it,

Yes you have one more Comics from the public domain to read now. So get into the link and read this amazing Comic The Treacherous Genie from the Tales Of Horror #6, published by Minoan Publishing Corp. in 1953

You can also Join the Forum here:
www.4shared.com/file/87646879/7984c294/taleshorror6-treacherousgenie.html

Let me know if you are looking for something Specif.

Baby Face Morgan


Language: English Country: USA Year: 1942

Director: Arthur Dreifuss
Starring: Robert Armstrong; Mary Carlisle; Richard Cromwell
Genres:Comedy

Synopsis:

Aging mobsters try to bring back the good old days by setting up a naive yokel as the kingpin. Black & White.

From Time Out Film Guide
Very minor crime caper from the PRC stable, where they turned 'em out even cheaper and quicker than sister company Monogram Pictures, leading light on Hollywood's so-called Poverty Row. This one's about a mobster's son who's made the director of a dodgy insurance company by his dad's old partners in crime. In the midst of the ensuing tedium you may develop the suspicion that it was conceived as a comedy. Grim all the same.

Wednesday, February 11, 2009

Captain Midnight

As promised I have come back with a Comic from the Public Domain. I will soon be coming up with many more comics. I was not sure how to offer the best comics and make it easy to read. Finally I found this link. Please let me know if this is convenient. If not I will send you the link to download the software which is free and would enable you to read alll types of comics. Till than enjoy this pdf format.




Please do update me with your comments at shamsud.ahmed@gmail.com

Cheers,

Sunday, February 8, 2009

Free Comics

All,

I have been reviewing Free Public Domain Movies and offering you free photos and Music update. With some research I am able to extract Golden Informations on Public Domain Comics. I can See the grin :-) Wait..The good news is I would soon be offering you all free comics books to download from the public domain.

Digital Comic Books:

The internet has allowed the massive transmission and exchange of comic books like never before. In addition to connecting collectors across the world through sites like eBay and Craigslist, the electronic age brought us the digital comic book. The digital comic book is an issue that has been scanned, page by page, and saved in a PDF, PDF or some other image file. The book can then be clicked through and read much like an eBook. Marvel, DC and other smaller comic book distributors take advantage of the new technology to get their books into the hands of fans.

So Keep Visiting for your dose of rare comics on line. Do let me know if you are looking for something very specific.

Wednesday, February 4, 2009

Flight To Mars



Today we will be reviewing a 1951 Public Domain Flick.

Language: English Country: USA Year: 1951
Director: Lesley Selander
Starring: Marguerite Chapman; Cameron Mitchell
Genres: Sci Fi & Fantasy
Synopsis: A newspaper man and a group of scientist head-off to meet the Martians.


"Flight to Mars" is not really a bad 1950s science fiction film, it just happens to be a rather boring film with what is probably the most abrupt ending in the genre's history. It is not that the script is so awful (there are philosophical discussions on whether each corpuscle is an entire universe) or that the acting is bad (it is actual decent for this sort of movie). But the film just does not seem to click. Maybe it is because a half-century later we have seen every bit of this plot in a dozen other films. "Flight to Mars" clearly divides into two parts. The first focuses on the flight to Mars and is fairly scientific in its approach to the proceedings (somewhat reminiscent of Herge's classic two-part comic book of Tintin going to the Moon, but not even half as god).. The second, once the crew arrives on Mars, turns into a sort of Flash Gordon-type space opera (with specific effects on about the same level).
The first rocket of exploration launched by the United States decides to bypass the moon and head straight for Mars (the reasoning for this curious choice is clearly cinematic; we know there is nothing on the moon in 1951 but who knows what we might find on Mars). The crew for this monumental expedition consists of Dr. Jim Barker (Arthur Franz), who created the rocket, his assistant Carol Stafford (Virginia Huston), a pair of older scientists, Dr. Lane (John Litel) and Professor Jackson (Richard Gaines), and a war reporter, Steve Abbott (Cameron Mitchell). At first I was wondering why these were letting too older guys go on this dangerous mission and I thought it might be because they were old and wise, but it turns out to be because this way only Jim and Steve join Carol in the film's love triangle.

Summary

In the far-off year 2000, newspaperman Cameron Mitchell packs up with a group of scientists and heads to Mars in a rocket that resembles a hood ornament from a '56 Oldsmobile. After the rather wobbly miniature takes off, our heroes (clad in khaki uniforms and WWII leather bomber jackets) encounter a storm of asteroids, but soon enough land on Mars. No one seems too surprised to encounter a race of humans on the planet, so the astronauts make themselves at home. The Martians are technically far more advanced than puny Earthlings (you can tell by the abundance of Herman Miller furniture and sexy Mars-girl outfits), but their hospitality masks a hidden agenda: conquest of Earth in order to establish additional lebensraum for their own dying race. Interestingly, this was director Lesley Selander's sole foray into sci-fi, having spent most of his career working on low-budget Westerns. Though the plot is thin, the bankroll skimpy, and the characterizations narrow,Flight to Mars prefigures the '50s sci-fi boom and is interesting for its set design, costumes, and rather washed-out Technicolor. Its 71-minute running time keeps things rolling quickly enough to stave off boredom. For '50s space-opera aficionados, this is better than an hour and 11 minutes spent mowing the lawn.--Jerry Renshaw

Source from Open Flix.

Cheers,